The Rebirth of a Fallen Man Essay Example | Topics and Well Written Essays - 1500 words

The Rebirth of a Fallen Man - Essay Example The storyteller experiences remotely and inside critical changes since he medicates, thinks about others, and wants to carry on with a typical way of life toward the finish of the assortment (Johnson, â€Å"Jesus’ Son: Stories†). The storyteller encounters positive outer and physical changes as he recovers from illicit drug use. In light of medications and liquor, the wellbeing state of the storyteller turns out to be more regrettable and more regrettable. Before the auto collision occurs, the storyteller can't stand up in light of the fact that a school man gives him drugs. He loses his cognizance and drops in the grass off the off-ramp. His depleted and powerless body constrains him to feel the world contrarily, inferable from his enthusiastic conduct. Once, he stated, â€Å"I hadn’t been anyplace close to it in longer than a year, however I was simply getting more debilitated. At the point when I hacked I saw fireflies†. The previously mentioned proclamation can be credited with the setting that the throughout the years, the storyteller had been becoming more broken down, bringing about the improvement of interminable hack. Medication overdose during talking meds places him in a serious condi tion, and he is practically dead. Be that as it may, things are evolving...

Ethics of Means and Ends Assignment Example | Topics and Well Written Essays - 250 words

Morals of Means and Ends - Assignment Example I won't permit my own life get into the method of my obligations as I am expected to remain concentrated on settling all issues by guaranteeing the unfortunate chore depends completely on reality, trustworthiness and virtues. I will authorize the law carefully without dread or favor and never utilize superfluous power or viciousness. Besides, I won't acknowledge appreciation and additionally endowments as these are not morally just. Finally, I would be a pioneer, remain centered, behave calmly, fair and comply with predominant authorities inside the divisions. Moral issues associated with adjusting means and finishes in the criminal equity field incorporate killing such frequencies like police severity, defilement, maltreatment of intensity, evolving declarations, planting proof just to make reference to however a couple. As a criminal equity calling, I expect to investigate these issues and scrap them off the power. This I plan to do by introducing and additionally modifying the code of morals. Know that a comprehension of morals is of the quintessence to equipped dynamic by pioneers in criminal equity framework. EI am struck to the heart that authority in the criminal equity framework is established on unadulterated moral elements. As a pioneer in this framework, I expect to be a phenomenal guide to my subordinates, just as lecture on the simply moral

How Hitler Lost the War Essay

As a persuasive, powerful individual, Adolf Hitler utilized his well-spoken discourse to enable the Nazi ideological group. Hitler got total force as the Chancellor of Germany, in the wake of passing the Enabling Act. He used the extremist capacity to make the Third Reich, and through military moves and a promulgation development headed by Joseph Goebbels, he had an extraordinary effect on the Germany’s residents. Hitler impacted the Germans into sharing a profound assumption of patriotism, and the essentialness of the Aryan, or â€Å"master,† race. With this across the board disposition and the preparation of the German military, Hitler led the subsequent universal war. In spite of the positive supporters of the German power, Hitler’s numerous slip-ups obstructed the armies’ capacity to win the war. This incorporated his indiscreet disposition and wavering inclinations, his mistakes at Dunkirk, France, and his assault on Ukraine. One huge mistake made by Hitler happened when he decided to exchange from bombarding the RAF, focusing on regular folks in British urban communities. This gave the RAF the reality expected to recover, and they had the option to recuperate. Hitler had lost an opportunity to beat the RAF, since they had been becoming powerless under the German assault, and would in all likelihood have been accomplished for if the besieging on the RAF had proceeded. The absence of rest of the Luftwaffe joined with the assurance of the British powers carried the Battle of Britain to an impasse. This ended the might German aviation based armed forces, and kept the Germans from finishing Operation Sea Lion, an arrangement to attack England amphibiously, with negligible obstruction. With the consummation of the activity, the United States would have been less shielded from a Nazi attack. Another of Hitler’s most appalling mix-ups was settled on in his choice at Dunkirk. The Allies encountered a lot of dread about a German assault through Belgium after the destructions of the Netherlands, Norway, Belgium, and Denmark to the Germans. The Allies managed the German 3-pronged assault, the principle power going through the Ardennes Forest, the other two through Belgium and the Maginot Line. This unexpected methodology surprised the Allies, for the most part since the idea of huge tanks going through the Ardennes Forest was unbelievable. This German development pushed the Allies to Dunkirk, an area on the English Channel. Hitler at that point instructed the German powers to pivot, concluding that the Luftwaffe were increasingly reasonable to complete the activity and win the fight. The Luftwaffe had negligible accomplishment after a thick mist hindering the vision of the Luftwaffe and making it feasible for the British to get away to wellbeing. This mix-up was prodigious†Hitler’s choice kept the Germans from clearing out the British armed force. On the off chance that this had happened, Germany would have had an extraordinary chance to attack Britain amphibiously. Notwithstanding, Hitler didn't make the most of the chance, and passed up a major opportunity. Hitler’s â€Å"Rape of the Ukraine† was his generally condemning of botches. From the point of view of the Slavs, the Germans appeared to be emancipators, come to spare the individuals from the savage locale of Stalin. On the off chance that Hitler had utilized this to further his potential benefit, he could have had more labor in his assault of Moscow. Rather, he took a gander at the Slavs as crossbreeds, a mediocre race. The Ukraines likewise had more experience managing the Russian winter and territory. Anyway Hitler couldn't look past his bias, and sent the Slavs off to death camps to be killed. Hitler took their nourishment and treated them uncivilly. Had he done well by these individuals, he would have picked up troops to help in his assault in Moscow, and acquired a capacity to utilize the entirety of his men to shield the Western front, since dangers along the Eastern front could have been evacuated. Adolf Hitler had an uncanny capacity to impact gigantic hordes of individuals, however his absence of capacity in the territory of directing military powers with all around considered system basically prompted the defeat of the Germans in World War II. Hitler’s execution of military developments was less then valiant. He made his greatest mistakes in the Battle of Britain, and his activities at Dunkirk and the Ukraine. This pushed the Germans to an inevitable thrashing. Hitler’s Third Reich endured twelve years, and he was never fit for accessing the control and impact of the whole world.

Need help in paraphrasing online

Paraphrase Online: Do or Not to Do? Sooner or later you can face a necessity to paraphrase essays on different topics. And when it comes to you, you will probably want to find the most effective way out and start looking for an exceptionally perfect paraphraser online. Lets first make it clear what is meant by a paraphrasing itself. What is a Paraphrase or Paraphrasing? A paraphrasing is about rewriting passages of an essay with your own words for the purpose of avoiding plagiarism. In the end a paraphrased essay may have a similar number of words and the same structure, but outlined and expressed differently. What are the ways to paraphrase online? When you make a query in the search engine, you will find out a lot of results including instruments to help you paraphrase any type of paper. Generally it is not required to register and sign in, or fill in your personal information to use such kinds of services – no matter it is a free or a pay-per-use. 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What is a criteria to paraphrase MLA style stuff? With all said, rewriting the words by means of an automatic machine will hardly give the result expected. How is it possible to avoid it? Its better for sure to use vocabularies of synonyms and synchronizers to rewrite the words in the sentences and try to express them it in your own words and a manner. Try to rewrite it again and again until it sounds absolutely differently from the original text. In case some parts or phrases cannot be advanced, take them into the quotes. Giving a quote once, one needs to refer the first and the last name of the author which is being quoted. Doing it for the second time and citing to the same source, mention only the last names. It is also possible to put the name of the author in the parentheses, if it is already mentioned several times. According to MLA citation style, its required to include the pages that were paraphrased or quoted. 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Pierre Menard, Author of the Quixote Study Guide

Written by experimental author Jorge Luis Borges, Pierre Menard, Author of the Quixote does not follow the format of a traditional short story. While a standard 20th-century short story describes a conflict that builds steadily towards a crisis, climax, and resolution, Borgess story imitates (and often parodies) an academic or scholarly essay. The title character of Pierre Menard, Author of the Quixote is a poet and literary critic from France-and is also, unlike a more traditional title character, dead by the time the story begins. The narrator of Borgess text is one of Menards friends and admirers. In part, this narrator is moved to write his eulogy because misleading accounts of the newly-deceased Menard have begun to circulate: Already Error is attempting to tarnish his bright Memory†¦ Most decidedly, a brief rectification is imperative (88). Borgess narrator begins his rectification by listing all of the visible lifework of Pierre Menard, in proper chronological order (90). The twenty or so items on the narrators list include translations, collections of sonnets, essays on intricate literary topics, and finally a handwritten list of lines of poetry that owe their excellence to punctuation (89-90). This overview of Menards career is the preface to a discussion of Menards single most innovative piece of writing. Menard left behind an unfinished masterpiece which consists of the ninth and thirty-eighth chapters of Part I of Don Quixote and a fragment of Chapter XXII (90). With this project, Menard didnt aim to merely transcribe or copy Don Quixote, and he didnt attempt to produce a 20th-century updating of this 17th-century comic novel. Instead, Menards admirable ambition was to produce a number of pages which coincided-word for word and line for line with those of Miguel de Cervantes, the original author of the Quixote (91). Menard achieved this re-creation of the Cervantes text without really re-creating Cervantess life. Instead, he decided that the best route was continuing to be Pierre Menard and coming to the Quixote through the experiences of Pierre Menard (91). Although the two versions of the Quixote chapters are absolutely identical, the narrator prefers the Menard text. Menards version is less reliant on local color, more skeptical of historical truth, and on the whole more subtle than Cervantess (93-94). But on a more general level, Menards Don Quixote establishes and promotes revolutionary ideas about reading and writing. As the narrator notes in the final paragraph, Menard has (perhaps unwittingly) enriched the slow and rudimentary art of reading by means of a new technique the technique of deliberate anachronism and fallacious attribution (95). Following Menards example, readers can interpret canonical texts in fascinating new ways by attributing them to authors who didnt actually write them. Background and Contexts Don Quixote and World Literature: Published in two installments in the early 17th century, Don Quixote is regarded by many readers and scholars as the first modern novel. (For literary critic Harold Bloom, Cervantes’s importance to world literature is rivaled only by Shakespeare’s.) Naturally, Don Quixote would have intrigued an avant-garde Argentine author like Borges, partially because of its impact on Spanish and Latin American literature, and partially because of its playful approach to reading and writing. But there is another reason why Don Quixote is especially appropriate to â€Å"Pierre Menard†Ã¢â‚¬â€because Don Quixote spawned unofficial imitations in its own time. The unauthorized sequel by Avellaneda is the most famous of these, and Pierre Menard himself can be understood as the latest in a line of Cervantes imitators. Experimental Writing in the 20th Century: Many of the world-famous authors who came before Borges crafted poems and novels that are built largely of quotations, imitations, and allusions to earlier writings. T.S. Eliot’s The Waste Land—a long poem that uses a disorienting, fragmentary style and draws constantly on myths and legends—is one example of such reference-heavy writing. Another example is James Joyce’s Ulysses, which mixes bits of everyday speech with imitations of ancient epics, medieval poetry, and Gothic novels. This idea of an â€Å"art of appropriation† also influenced painting, sculpture, and installation art. Experimental visual artists such as Marcel Duchamp created â€Å"ready-made† artworks by taking objects from everyday life—chairs, postcards, snow shovels, bicycle wheels—and putting them together in strange new combinations. Borges situates â€Å"Pierre Menard, Author of the Quixote† in this growing tradition of quotation and appropriation. (In fact, the final sentence of the story refers to James Joyce by name.) But â€Å"Pierre Menard† also shows how the art of appropriation can be taken to a comical extreme and does so without exactly lighting earlier artists; after all, Eliot, Joyce, and Duchamp all created works that are meant to be humorous or absurd. Key Topics Menard’s Cultural Background: Despite his choice of Don Quixote, Menard is mainly a product of French literature and French culture—and makes no secret of his cultural sympathies. He is identified in Borges’s story as a â€Å"Symbolist from Nà ®mes, a devotee essentially of Poe—who begat Baudelaire, who begat Mallarmà ©, who begat Valà ©ry† (92). (Though born in America, Edgar Allan Poe had an enormous French following after his death.) In addition, the bibliography that starts off â€Å"Pierre Menard, Author of the Quixote† includes â€Å"a study of the essential metrical rules of French prose, illustrated with examples taken from Saint-Simon† (89). Oddly enough, this ingrained French background helps Menard to understand and re-create a work of Spanish literature. As Menard explains, he can easily imagine the universe â€Å"without the Quixote.† For him, â€Å"the Quixote is a contingent work; the Quixote is not necessary. I can premeditate committing it to writing, as it were—I can write it—without falling into a tautology† (92). Borges’s Descriptions: There are many aspects of Pierre Menard’s life—his physical appearance, his mannerisms, and most of the details of his childhood and domestic life—that are omitted from â€Å"Pierre Menard, Author of the Quixote†. This is not an artistic flaw; in fact, Borges’s narrator is fully conscious of these omissions. Given the opportunity, the narrator consciously backs away from the task of describing Menard, and explains his reasons in the following footnote: â€Å"I did, I might say, have the secondary purpose of drawing a small sketch of the figure of Pierre Menard—but how dare I compete with the gilded pages I am told the Baroness de Bacourt is even now preparing, or with the delicate sharp crayon of Carolus Hourcade?† (90). Borges’s Humor: â€Å"Pierre Menard† can be read as a send-up of literary pretensions—and as a piece of gentle self-satire on Borges’s part. As Renà © de Costa writes in Humor in Borges, â€Å"Borges creates two outlandish types: the adulating critic who worships a single author, and the worshiped author as a plagiarist, before ultimately inserting himself into the story and rounding things out with a typical self-parody.† In addition to praising Pierre Menard for questionable accomplishments, Borges’s narrator spends much of the story criticizing â€Å"Mme. Henri Bachelier,† another literary type who admires Menard. The narrator’s willingness to go after someone who is, technically, on his side—and to go after her for rather obscure reasons—is another stroke of ironic humor. As for Borges’s humorous self-criticism, de Costa notes that Borges and Menard have strangely similar writing habits. Borges himself was known among his friends for â€Å"his square-ruled notebooks, his black crossings-out, his peculiar typographical symbols, and his insect-like handwriting† (95, footnote). In the story, all of these things are attributed to the eccentric Pierre Menard. The list of Borges stories that poke gentle fun at aspects of Borges’s identity—â€Å"Tlà ¶n, Uqbar, Orbis Tertius†, â€Å"Funes the Memorious†, â€Å"The Aleph†, â€Å"The Zahir†Ã¢â‚¬â€is considerable, though Borges’s most extensive discussion of his own identity occurs in â€Å"The Other†. A Few Discussion Questions How would â€Å"Pierre Menard, Author of the Quixote† be different if it centered on a text other than Don Quixote? Does Don Quixote seem like the most appropriate choice for Menard’s strange project, and for Borges’s story? Should Borges have focused his satire on a totally different selection from world literature?Why did Borges use so many literary allusions in â€Å"Pierre Menard, Author of the Quixote†? How do you think Borges wants his readers to react to these allusions? With respect? Annoyance? Confusion?How would you characterize the narrator of Borges’s story? Do you feel that this narrator is simply a stand-in for Borges, or are Borges and the narrator very different in major ways?Are the ideas about writing and reading that appear in this story totally absurd? Or can you think of real-life reading and writing methods that recall Menard’s ideas? Note on Citations All in-text citations refer to Jorge Luis Borges, Pierre Menard, Author of the Quixote, pages 88-95 in Jorge Luis Borges: Collected Fictions (Translated by Andrew Hurley. Penguin Books: 1998).

Noah, The Ark Builder - 1427 Words

Noah, the ark-builder finds favor with God amidst destruction and evokes the trait of being loyal. This trait represents Noah’s character well because he put great trust in God and did whatever he needed to do to save humanity and make sure that life for all living creatures were pleasant. Noah listened to God and understood why God felt the way he did about the world, he also played a vital role in the building of the ark that saved he, his family, and living creatures from the flood, and lastly, abided by the covenant that God made with him. Because of Noah’s obedience for God throughout the flood and covenant, this paper will argue that the central character trait of Noah is loyalty. Before understanding the way in which Noah is loyal, it is important to understand where his actions are coming from. The name Lamech appears in both genealogies, the Cainite and Sethite. In contrast to Cainite Lamech, Sethite Lamech is anticipating Noah’s birth as a possible solu tion to the problems that are brought about by sin. The verse in which Lamech names Noah (Gen 5:29) is pivotal; it looks backs to the pronouncement of divine judgement while also looking forward to Noah and his relationship with God. Adam’s disobedience has sentenced humanity to hard labor and pain from which there seems to be no relief. Lamech longs that his son may bring some comfort, and he calls him Noah with this in mind. Lamech hoped that Noah would be able to work hand and hand with God to restore what usedShow MoreRelatedEvolution over Creationism for the Public School System Essay1829 Words   |  8 Pagesthis theory. But not only is common decent a controversial thought, the creationist believe that the earth came before the sun, that vegetation came before the sun, that the oceans came before the dry land, man before death, global flooding, Noah’s ark, moon before the sun, atmosphere between two layers of water, everything extends from seven groups of anima ls, and that death is not a necessary part of life, and instead the sins of man are what cause death. Nearly all of these creationist theoriesRead MoreThere Is A Certain Divinity That Is Distinguishable In1495 Words   |  6 Pagesto reinforce Giovanni’s belief in the overall power of the black race. These lines also hold obvious feminist undertones, those of which will be discussed more in-depth later in the analysis. In line 27, the speaker states that their son Noah built the â€Å"New/Ark†, an obvious reference to the aforementioned Newark, NJ riots. Religion is a key factor in the birth and growth of the black race according to Giovanni. Line 6 reads that only a â€Å"divine perfect light† from â€Å"a star/That only glows every oneRead MoreA Definitive Point Of A Biblical Worldview1217 Words   |  5 Pagesso opposed to this tower-building project? The key is to see the subtle way in which the narrative presents their sin. Apparently it wasn’t just a neutral architectural enterprise by announcing their intention â€Å"to make a Shem for ourselves†, these builders were implementing nimrods plan to build a counter kingdom to the godly line of Shem it was starting to sound like a repeat performance of the pre-flood situation. Once again, the ungodly were rejecting the covenant authority structure† (Hahn). ManyRead MoreThe Tower Of Babel- : An Etiological Myth2373 Words   |  10 Pages1. The Tower of Babel- At the beginning of this story, all the people of the earth were united; they all spoke one la nguage. Since they could all communicate with each other and happened to be skilled builders, the people decided to build a tower, one that would be tall enough to reach heaven. God heard of their plan, and knowing that they built this tower to further unite all the people and to have something to be proud of, so he stopped their plan. He confused their language, and scattered theRead MorePeter Says God Will Again Bring Punishment On A Wicked Earth2149 Words   |  9 PagesPeter says God will again bring punishment on a wicked earth. But this time it will be with fire, not water. To what extent is the sin of Sodom linked to the days of Noah? What did those times have in common? Both periods were extremely evil in the sight of the Lord. Both had only a handful â€Å"righteous† people. Both had clueless societies that mocked the idea that judgment was coming. Both had unions between persons that God considered an abomination. Sodom was steeped in perverted sexual behaviorRead MoreThe Theories Of The Theory Of Evolution1802 Words   |  8 Pagesstates that during the global flood, the same day were all the fountains of the great deep broken up, (Genesis 7:11). This cataclysmic event describes the continent plates breaking apart and shifting. God gave Noah the perfect dimensions for the ark over four thousand years ago. Ship builders today know very well that the ideal dimensions for ship stability is 30:5:3. Up until 120 years ago, doctors bled sick people and many died as a result. Today we know that healthy blood is necessary for life

Music Publishing Assesment free essay sample

Hacked was young, she always dreamed of having her own independent music publishing company. With such successful companies like MI and Sony, she realized that she wouldnt be content being just another employee, she want be the employer. With her growing knowledge on music publishing, she believes that she is ready to launch my own independent music publishing company called Goldenrod Music along with the help of her business partner, Allan Breach.Below is the step-by-step on how they plan to make Goldenrod Music a successful music publishing company by touching on subjects such as the business Truckee, financing and funding, personnel,roles and departments, 1 . Business Structure: Goldenrod Music will be run as a partnership between Rachel Hacked and Allan Breach. The location of the Goldenrod Music office will be in New York City in the Financial district on Ceded Street. Within this office they will have four main departments and have approximately thirty to forty employees. In order to start Goldenrod Music, Rachel Hacked and Allan Breach must file Goldenrod Music to their local government offices to obtain a business permit (in this case NYC City Hall) (McCoy). Goldenrod Music then will apply to a performance rights organization of their choice, which will most likely be ASAP (since the company is located in the United States), by submitting an application and fee of about $35. The application can be found at http://www. ASAP. Com/Jolt/. D 2. Financing and Funding: Goldenrod Music plans on being funded without loans or grants, since interest fees are on the rise.Rachel Hacked and Allan Breach plan on using the money from their trust funds to pay for the business start up costs. The cost for renting the office space Is $1 ,250 a month. Other start-up expenses not Included In the rent are furnishing, supplies, paying staff, taxes, applying for a performance rights organization(ASAP in this case), legal fees, demo costs, promotion, etc. ;elf Goldenrod Music does not generate enough income for Hacked and Breach to breakable, then they will look into adding a backer that will receive half or what Hacked and Breach will make. . Personnel,Roles and Departments: Goldenrod Music plans on having four different departments. The first key department is the AR/ Creative/ Promotion department. The Job description includes this worker to find new songwriting talent by listening to demos, going to shows, word of mouth from other key players in the industry that they trust ,etc. This company. In order to keep a fresh and current catalog with potentially big money making hits, Goldenrod Music will need to have the best up and coming songwriters at all times.Other Jobs within the department include matching up songwriters or composers with lyricists if needed and to get the songs used in as many different dentures as possible through record companies, performers and broadcasters. Printer)goldenrod Music will generally work with bands where one or more members is the songwriter to the band, however, in the case we sign a songwriter to Goldenrod Music, this department with try to get that songwriters work to be used by m ajor artists. This department can also set up songwriters and lyricists together, preferably ones both signed to Goldenrod Music so the split up of royalties will be easier. 0 Another department that would be part of Goldenrod Music is accounts and royalties department. This department is essential for Goldenrod Music to have because it handles the income as well as distribution of money. Accounts and royalties will take care of number crunching, keeping track of song usage to collect royalties and handle all monies owed.If songwriters want their work to be expanded to other forms of media, then this department would be in contact with the accounts departments of record labels, TV, film and advertising companies. Lastly, accounts and royalties will be in charge of dealing with PROS and AMPS. O Another essential department that Goldenrod Music plans on having is the copyright/ legal department. This department will be in charge of writing agreements between the publisher and Miters. For an explanation on Goldenrods publisher-songwriter contract please go to the Legal section.This department will also handle licensing and synchronization, registering new works to PROS and AMPS, dealing with copyright infringement by taking legal action, and anything else relating to legal or copyright issues. 0 Another department that would be part of Goldenrod Music is a social media department. This will only have a few employees, however, is an important part of the company. With many consumers using the Internet as ways to find and download new music, Goldenrod Music finds it would be important to showcase online recorded Narks from its catalog.More on this topic can be found in the Technology section. Goldenrod Music would also hire several song plungers to get unrecorded songs on Goldenrod Musics catalog recorded. Other staff personnel will include assistants, receptionists and interns. 0 4. Strategy and Services- including details on opportunities, threats and trading partners: Publishers at Goldenrod Music will be a threat to other current publishers. Chosen for having a well rounded resume and a university education, publishers are Goldenrod will have top notch experience for this new company. Publishers atGoldenrod Music will specialize in AR to help bring a full catalog of new up and coming songwriters. They will also strive to find new media outlets to connect the songwriters music with as many people as possible. Publishers will be push their Goldenrod Music will offer three main services for our clients. One service they offer is Creative Services. Goldenrod Musics creative service will help bring together different songwriters on the growing catalog to help expand the songwriters abilities to their fullest potentials. Another service they offer is administration services whichNail handle the different areas of revenue possibly available for the songwriters work. Along with recording Peps and Lips, Goldenrod Music will produce demos for up and coming songwriters without record deals. Goldenrod Music believes that demos are essential for songwriters looking to be signed. For these songwriters, Goldenrod suggests that typically the demo will run about three to four songs. These demos will be protected with copyrights and will not be for sale. Income for Goldenrods songwriters will be collected through mechanical royalties, synchronization royalties, print royalties, performance royalties.Mechanical royalties allows a record company or any other party the right to record or reproduce one of the songwriters works. Songwriters are paid for every record the record company manufactures and distributes that is sold. In the U. K, the AMPS sets the price for how much the songwriter will make per song, but in the U. S the rate is based on a fixed rate either at the full statutory rate or as a reduced percentage of the statutory rate. Composition clauses are now currently 75% of the fixed rate. The AMPS normally Issues mechanical licenses for publishers.Income from mechanical royalties will be plait 50/50 between the publisher and the songwriter. Performance royalties or public performance rights are paid to the songwriter and publisher when others seek to play the song on the radio, in venues, on television, at live concerts,etc. ASAP(the US version of PROS ), since given the right to license performing rights to all of Goldenrod Musics songwriters, will make deals with Never wants to use the songs in their media outlet ,collect the fees owed, then divide up the pay between the songwriter and publisher.Anyone who wants to use songs from Goldenrod Musics songwriters will have to pay a blanket license, which oversee all works from Goldenrod Musics catalog as well as any other publishing companies under ASAP. The Broadcast Data Service will be used to keep track of songwriters work on the radio. ASAP will pay the songwriters directly( peg 251 ,Pajamas), Synchronization royalties allow the usage of works in visual media outlets like commercials, television, movies, computer games, etc. Income from these types of royalties range depending on where the work of the songwriter is being used.With major motion pictures, the income generated depends on where in the movie the song is being used. Songs used in the main title normally range between$50,OHO to $250,000, in ending credits between $35,000 to $100,000, and out of context usage of the songwriters song( using the song differently then used in films) generate anywhere between $25,000 to $250,000. Instrumental cues in movies will get around Income, however in the US it is completely different. Income from television in the US runs typically depending on if the work is unknown or super popular.Songs in commercials can range anywhere between $50,000 to $200,000 for one-year national usage in the United States( peg 262 All You Ne ed to Know About The Music Business. ) For video/computer games, songwriters get paid a flat fee for the song usage which is generally from$8,OHO to $10,000. The only video games that pay royalties are in music-based games such as Dance Dance Revolution, Rock Band or Guitar Hero. Print music royalties are paid from the sheet musics manufacturer to the songwriter for each unit sold.In the I-J, royalty for single-song sheet music ranges between 10%-15% while in the US the standard rate is 20% for single sheet music and 10% to 12. 5% for folios (songbooks). As an up and coming music publishing company, Goldenrod Music would have he fresh start opportunity. We have are not in debt, not being sued and not currently trying to be bought out by a larger company. Being a new partnership allows Goldenrod Music to build from the ground up a modern catalog, and will hopefully become a threat to current giants in music publishing.Along with having a clean slate comes the opportunity to network without having a bad record against the company. There is opportunity to learn about the changing music industry and adapt with it. Goldenrod Music, being located in New York City, also has many opportunities to meet with many songwriters from New York City and elsewhere. New fork City is home to many different record labels, word renowned recording studios, and fresh talent. One threat that Goldenrod Music will have to overcome is other established publishing companies.Songwriters who are looking to put their trust into someone to get their songs published, recorded and eventually make them money, seek out publishers with experience. Although Goldenrod Music has a lot to offer, songwriters may look to music publishing companies with a good track record. In order to get over this phase, Goldenrod Music will have to break the ice with signing a successful engineer to show other songwriters we are a trustworthy company. Goldenrod Musics main customers are songwriters who are also established artists.Goldenrod Music doesnt focus primarily on mainstream artists, but at the same time strives to get songs on the catalog into as many different media outlets as possible. Goldenrod Music looks to sign songwriter/musicians who are willing to collaborate with other artists and lore put their works in other forms of media than lust purely music. Songwriters/ artists on Goldenrod Musics current catalog include Sonny Moore/ Shriller, EH! 3, Andy Samsung, This Love, Nick Mina] and Kina Grannies. Goldenrods account department will collect revenue from all outlets the song is used. All songwriters will be paid their royalties at different times depending on what 7. Legal When it comes to contracts, Goldenrod Music will try to construct a contract that is both suitable for the songwriter/composer as well as the publisher. Goldenrod Music Nail offer two different contracts. To new songwriters not looking to go mainstream Ninth their music, they will be issued the co-publishing agreement. This is where the songwriter receives 50% of income listed and the publisher receives the other 50%. Goldenrod would also offer an exclusive writer deal to songwriters with a history of making hits.This is where they would control the entire output of works of the songwriter under the Term, promising exclusivity to Goldenrod Music. Songwriters Math Goldenrod will not share monies collected from performance royalties. In this contract, Goldenrod Music will seek the exclusive rights to all original musical compositions and copyrights (which includes the copyright registration and protection) from the songwriter. The transfer of these copyrights allow Goldenrod Music to reproduce the work, distribute copies of work, have work performed publicly, and make a derivative of work.Performances of the songwriters work are allowed in all forms of media, whether for a profit or nonprofit(Exclusive Songwriter Agreement). Goldenrod Music will be allowed to make master recordings of all works of the publisher. In return, Goldenrod Music will protect all works from any copyright infringement from another songwriter/composer/publisher by getting all works a copyright notice. If there is an issue with copyright infringement, Goldenrod Music will get an injunction and try to either get the fair market value, recover the infringe r profits, or cover statutory damages. The fair market value is if the song is worth a certain amount and is stolen from the songwriter, then the songwriter will receive that exact amount of money that the song is worth. If Goldenrod Music seeks to recover the infringer profit then Goldenrod can recover all the infringer profits. If Goldenrod chooses to recover statutory damages then if won, the court will reward Goldenrod Ninth money for damages. 3. IT/ Digital: The developments in the digital world may seem like a struggle to some companies, however Goldenrod Music plans to use it to their advantage. GoldenrodMusic set up a youth account where they would allow Ad-World to have ads on their videos, which will generate income overtime the video for that songwriter is played. Also, Youths Content ID system allows the songs copyright holders to receive profit from any infringement use of their songs(Van Buskins) Goldenrod Music will use social media outlets to its advantage. Social media sites include but are not limited to Twitter, Backbone, Namespace, Prologue and more to department, their employees will find ways to get Goldenrods songwriters work exposed through music blobs, both known and unknown.